I’ve started a new blog over at Weebly and I’ll be continuing my post and up-dates from there. I will miss many of you and I hope that you will stop by and say hi. Please visit www.victoriakloch.com
Thank you and paint like there’s no tomorrow.
By The Wayside – 30″x 48″ – by Victoria Kloch
The only thing about this painting that was preconceived were my colors. Filling each moment without hesitation I moved forward with so many emotions. I began with dark and exaggerated shapes and I remember thinking what am I getting into here? Working past the initial fear….yes I was scared, I just let this painting become a part of me. The time spent with this piece became a dance with joy and pure excitement.
My client just sent me this great shot of a piece I did for for her Hollywood Regency designed home in California. I incorporated gold leaf in this piece and worked acrylic like a watercolor. I absolutely am in love with this framed. It really was the icing on the cake for this piece and it brings out the gold in the painting.
Purple River 8″x10″, Mustard Line 8″x10″ modern acrylic structured abstract by Victoria Kloch. Small paintings with a strong presence.
Anamorphic Realism Painting by SF Bay Area artist Kurt Wedgley. Look again. This is a ‘painting’ on wood. First of all Kurt always wanted to try to see if he could do this style of painting. So he set out to plan a composition where many different kinds of surfaces would be incorporated i.e. paper with cellophane, glass with the wood grains showing through and liquid.
Transcend III is simalar to the original Transcend by Victoria Kloch which was featured in The Coastal Living Magazine. This has been created with acrylics on a deep stretched canvas with thin glazes over glazes like a watercolor painting. In person this has vibrant jewel-like qualities in a palette of Deep turquoise, various blues, aqua greens, white and a warm neutral gray. This 30″ x 48″ is available for purchase.
‘Over the Purple Hill’ 12″x 12″ acrylic landscape abstract painting by Victoria Kloch
This original piece is available as well as prints.
We’ve hiked a lot at Sunol Regional Wilderness Park in Alameda County located eastern San Francisco Bay Area in Northern California. Next to going to the ocean, this is one of my very favorite places to go to with it’s beautiful rolling hills laced with hiking trails for both visitors and cows.
Looking for a name? Stepping outside of the box for me with red and gold. Seems like no matter how much I try to get away from using blue in someway I tend to gravitate towards it. With this painting I decided to put my foot down and go for the reds with gold metallic paint. I’m so in love with these colors. This 30″ x 48″ painting can hang both vertical and horizontal. _Victoria
‘Through the Looking Glass’ 16″ x 20″ modern abstract, soft edge geometric by Victoria Kloch
‘Lydia’s White Sea’ 30″x40″ modern geometric by Victoria Kloch
Lydia’s White Sea
There once lived a jellyfish and a little girl named Lydia.
Together they traveled the white sea.
Though their journeys were vast, they would always return.
It was the crystal sea they loved the best.
This painting reminds me of my Granddaughter Lydia. When Lydia was young she loved to draw and paint mostly jellyfish.
In Through the Out Door, 30″ x 40″ modern geometric minimalism by Victoria Kloch
In Through the Out Door is currently available. Thank you for stopping by.
Titled “Sailing’ acrylic on 16″ x 20” canvas modern abstract by Victoria Kloch
This painting sold many many moons ago but it is still getting traffic from Pinterest. As of today it has received 2,661 hits. I have painted several others similar for commissions, but this is now calling me to start on another in a larger piece just for fun and free from the pressure of making it for someone. Because of my under-layers peeking through, redoing this piece is like peeling an onion from the inside out. So off I go to begin a new adventure in sailing.
‘Transition’Abstract Quadriptych paintings by Victoria Kloch
This set was purchased by the company ‘Houzz’.
40″ x 50″ commissioned acrylic abstract painting by Victoria Kloch
From start to finish this painting was stretched on a handcrafted frame by Kurt Wedgley. Working on this large canvas was pure heaven because it was as tight as a drum with no interference of the braces underneath like a store bought canvas.
Titled ‘Green Field’ acrylic glazes, 21″ x 27″ color field painting by Victoria Kloch
This piece was commissioned as a re-creation of my original ‘Taste of Wine’ This one is 36″x 60″ and resides in a community center back East at Fort Totten Northeast Washington, D.C.
‘Still’ 30″ x 40″ acrylic abstract by Victoria Kloch
I have studied many of the mid-century artist work. For me the best way is to actually try to replicate their style hands-on. Lately I’ve been studying the work of Clifford Still. If you already know about the man and his work, you no doubt have formed your own opinions about him. I personally found his style of free flow vertical patterns with barbed like endings a challenge. This piece before you was inspired by his work with my own interpretations without copying one of his actual paintings. This piece is available to purchase.
Abstract minimalism painting, Titled ‘Zen Bones’ 17.5″ x 17.5″ by Victoria Kloch
Quirky and playful watercolor gouache on paper with geometric intent. 5″ x 7″ Palette yellow, blue with silver ink. By Victoria Kloch – available.
Title ‘Intention’ 40″x 30″ West Coast hard-edge geometric abstract by Victoria Kloch
Title ‘Engage’ by Victoria Kloch. Together the size of this piece is 60″ x 48″. A West Coast hardedge geometric in blue, yellow ochre and grays painted with acrylics by using repeated thin glazing technique. This painting has more pow in person and it truly makes a statement. This is available for purchase.
Peacock Blocks, acrylic abstract, 30″ x 48″ by Victoria Kloch
Soft-edge geometric painting. Available for purchase. Thank you for stopping by.
This geometric painting by Victoria Kloch is a 30″x 40″ acrylic on canvas. The images here shows both vertical and horizontal orientation. West Coast Hardedge Geometric is my favorite way to paint. I was especially pleased the balance of color and design of the finished piece. This painting is signed on the side so that the investor can hang in each direction.
This is my latest geometric painting. Though I’ve been painting mostly free style abstracts lately, I always come back to geometrics. I guess if I had to put it into words, I love the challenge that it brings in the way of structured detail. If one shape is off, the painting as a whole will be off. The architectural balance demands the eye to travel unrestrictedly throughout even though it has defined hard edges in an organized way.
The floating frame showcases this piece in a sophisticated way allowing the details of the continuous pattern of the painting to be seen. This frame was handmade by Kurt Wedgley.
There it is, minimalism in a complicated way.
‘Motion’ 36″x48″ modern abstract by Victoria Kloch
This piece is now available in prints. Please click on image for many available sizes.
Commission for ‘Transcend’ 3’x 6′ acrylic abstract by Victoria Kloch
This piece will be hung in a community center in Maryland, USA. Because of all of the thin layering each of my ‘Transcend’ paintings has taken on their own unique personality.
4′ x 5′ acrylic abstract with gold leaf by Victoria Kloch
Yesterday we went to delivered and hang this painting for my client. You can’t see it from this shot but the color fuchsia was used in the ‘Hollywood Regency’ style living room and now the painting helped bring that color into the dinning room as well. This home was absolutely breathtaking with all of the exciting geometric patterns carried throughout both of these rooms staying true to the Hollywood Regency era. It was such a challenging piece to create a watercolor look on canvas on such a large scale. She seemed very pleased and let me know that she had been looking for the right artist for 3 years until she came across my work. I can’t wait to receive a new photo of this room once the piece gets framed . . . in gold of course.